The present resource is meant for piano to be later adapted to guitar.
In order to study these chords, we should take into account the position of the
hand, since it encourages hand flexibility. It is adviceable to play it with the
guitar unconnected so that the hand playing the chords works at ease.
The following examples are based on the harmonious progression II V I.
In some of them, open strings are played so as to create open sounds.
I suggest observing how the chords were created, that is to say, analysing the
grades and the order in which they appear from low to high.
Transport to other tonalities and apply to jazz standards.